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The Neo-Futurists are an experimental theater troupe founded by Greg Allen in 1988, based on an aesthetics of honesty, speed and brevity. Neo-Futurists in theatre were inspired by the Italian Futurist movement from the early 20th century.

The Neo-Futurist architects, designers and artists believe in eco-sustainable cities cross-pollinated by arts and technology to provide a better quality of life; the definition of Neo-Futurism in art and architecture came from the reference to the United Nations’ report Our Common Future.[1]

In theater[edit]

The Neo-Futurist aesthetic demands that everything that transpires in their theater be non-illusory, which is to say that they pretend nothing; actors only play themselves. All plays take place on a stage, specifically, the stage on which they are performed, in the present. If one of the performers reports that something has happened, you can bet that it really happened. Much of their work contains the possibility of failure, a unique theatrical component that keeps them and the audience honest. Their plays are wildly eclectic, touching on all genres and tones; plays may be political, satirical, personal, tragic, comic, abstract, musical, surreal, poetic, and so on.

The bottom line is that Neo-Futurism does not buy into the "suspension of disbelief"—it does not attempt to take the audience anywhere else at any other time with any other people. The idea is to deal with what is going on right here and now.

The Neo-Futurists began with the show Too Much Light Makes the Baby Go Blind: 30 Plays in 60 Minutes, often abbreviated as TMLMTBGB (though many refer to it simply as TML). For the first few years, the Neo-Futurist movement consisted entirely of TMLMTBGB, but then expanded to include "prime time productions." These productions began late evening, as opposed to TMLMTBGB's late-night starting time (11:30 in Chicago, 10:30 in New York).

The Neo-Futurists have published three books of plays from TMLMTBGB - two books of regular plays, and one of plays that use only one actor. They've also released one CD recording of plays from Too Much Light Makes the Baby Go Blind, one video, and a recording of Jokes and their Relation to the Unconscious, a play described as an attempt to destroy comedy by analyzing it to death.

In 2008 the New York Neo-Futurists put on (Not) Just a Day Like Any Other, four autobiographical stories woven together with accompanying Bollywood music videos, relationships charted via PowerPoint, and margaritas for all.[2]

In 2011, the New York Neo-Futurists produced an original piece, "Locker 4173b," wherein Neo-Futurists Joey Rizzolo and Christopher Borg purchased a foreclosed storage locker and, as amateur archaeologists, excavated, catalogued, and chronicled their findings.[3] The show received critical acclaim and received a New York Innovative Theater Award for Outstanding Performance Art Production in 2011.[4]

The New York Neo-Futurists were also New York Innovative Theatre Awards recipients for 'Outstanding Performance Art Production' in 2006, 2011, & 2017, 'Outstanding Ensemble' in 2009, and the Caffe Cino Award 2010. They also have been nominated for two Drama Desk awards in 2012 and 2014. In 2009 the New York company won the Village Voice Readers’ Choice poll for Best Performance Art and was named one of the People of the Year. They ventured into producing short films in under the umbrella of the Neo-Futurist aesthetic in 2007 and in 2020 during the global pandemic started a twice weekly podcast called 'Hit Play'.

In November 2016, Greg Allen announced in an emailed press release that he intended to revoke the Chicago company's rights to perform TMLMTBGB.[5] Allen had ceased to be a member of the performing ensemble four years prior, and in his announcement he stated his intention to form a new company to perform the show[6] as a way to "combat the new Trump administration."[7] In a response statement, the Neo-Futurists stated that they were "disappointed that it has come to this conclusion," but that "throughout our long history with Greg there have been considerable artistic differences and irreconcilable personal conflicts."[6] Additionally, a former artistic director and ensemble member disputed Allen's claim that the split was motivated by external politics, citing instead ongoing personality conflicts.[8] In solidarity with the Chicago company, the New York and San Francisco productions of Too Much Light also closed that December. Subsequently, the Neo-Futurists developed and opened a new weekly late-night show in 2017 titled The Infinite Wrench in all three branches to continue to showcase their two-minute plays. The Chicago ensemble notably reached their 10,000th play on September 29th, 2017.[9]

Theater members[edit]

Since 1988, the ranks of the Neo-Futurists have included the following individuals (listed alphabetically):

  • Claudia Alick
  • Greg Allen
  • Rachelle Anthes
  • Jessica Anne
  • Brenda Arellano
  • Hilary Asare
  • Dave Awl
  • Aya Aziz
  • Benni Baker
  • Cecil Edward Baldwin
  • Ted Bales
  • Meg Bashwiner
  • Joe Basile
  • Andy Bayiates
  • Jill Beckman
  • Sean Benjamin
  • Sam Bertken
  • Neil Bhandari
  • Micael Bogar
  • Christopher Borg
  • Ashley Brockington
  • Desiree Burch
  • Eliza Burmester
  • Randy Burgess
  • Lisa Buscani
  • Tyler Butterfield
  • Regie Cabico
  • Will Caldwell
  • Katie Kay Chelena
  • Karen Christopher
  • Kurt Chiang
  • Katharine Chin
  • Rachel Claff
  • Bill Coelius
  • Megan Cohen
  • Roberta Colindrez
  • Marisa Conroy
  • Jeffrey Cranor
  • Michael Cyril Creighton
  • Trent Creswell
  • Ida Cuttler
  • Adrian Danzig
  • Bilal Dardai
  • Trevor Dawkins
  • Joe Dempsey
  • Chris Dippel
  • Dean Evans
  • Michaela Farrell
  • Marjorie Fitzsimmons
  • Molly Flynn
  • Mary Fons
  • Cara Francis
  • Kevin R. Free
  • Clifton Frei
  • Betsy Freytag
  • Genevra Gallo
  • Ricardo Gamboa
  • Phil Gibbs
  • Ryan Good
  • Bobby Goodrapes
  • Sharon Greene
  • Ayun Halliday
  • Alicia Harding
  • Rayne Harris
  • Tif Harrison
  • Nick Hart
  • Eevin Hartsough
  • Yael Haskal
  • Katharine Heller
  • Scott Hermes
  • Nicole Hill
  • Katy-May Hudson
  • Lindsay Brandon Hunter
  • Cat Huck
  • Chisa Hutchinson
  • Michael Improta
  • Joanna Jamerson
  • Rex Jenny
  • Chloe Johnston
  • Kate Jones
  • Jasmine Henri Jordan
  • Connor Kalista
  • Spencer Kayden
  • Heather Kelley
  • Dan Kerr-Hobert
  • Kathy Keyes
  • Jeewon Kim
  • Olivia Kingsley
  • David Kodeski
  • Greg Kotis
  • Noelle Krimm
  • Greg Lakhan
  • Jacquelyn Landgraf
  • Amy Langer
  • Zoe Lehman
  • Sarah Levy
  • Melissa Lindberg
  • Shelton Lindsay
  • Erica Livingston
  • Christopher Loar
  • Ci'era London
  • Anita Loomis
  • Jonathan Mastro
  • Robin MacDuffie
  • Dylan Marron
  • Margaret McCarthy
  • Dan McCoy
  • Julia Melfi
  • Megan Mercier
  • Daniel Mirsky
  • Lily Mooney
  • Steve Mosqueda
  • Tonya Narvaez
  • Rob Neill
  • Nessa Norich
  • Abby Pajakowski
  • Clare Palmer
  • Andie Patterson
  • Flor De Liz Perez
  • Page Phillips
  • John Pierson
  • Matt Pine
  • Simon Pond
  • Mike Puckett
  • Marta Rainer
  • Ale Ramirez
  • Em Reaves
  • Sheri Reda
  • Tim Reid
  • Tim Reinhard
  • Phil Ridarelli
  • Kirsten Riiber
  • Heather Riordan
  • Joey Rizzolo
  • Geryll Robinson
  • Paige Saliba
  • Connor Sampson
  • Krystal Seli
  • Annie Share
  • Lauren Sharpe
  • Stephanie Shaw
  • Connor Shioshita Pickett
  • Kyra Sims
  • Diana Slickman
  • Adam Smith
  • Alexis Smith
  • Siyu Song
  • Lusia Strus
  • Caitlin Stainken
  • Colin Summers
  • F. Omar Telan
  • T Thompson
  • Justin Tolley
  • Jay Torrence
  • Katrina Toshiko
  • Mike Troccoli
  • Leah Urzendowski-Courser
  • Robin Virginie
  • Alex Vlahov
  • Kristie Koehler Vuocolo
  • Dylan Waite
  • Shaina Wagner
  • Dina Marie Walters
  • Ryan Walters
  • Steven Westdahl
  • Ryan Patrick Welsh
  • Malic White
  • Yolanda Kaye Wilkinson
  • Jenny Williams
  • Stephen Colbert (now famous for his television persona in The Colbert Report) auditioned for the Neo-Futurists, and was cast as part of the ensemble, but never got an opportunity to perform with them.[10]

Theater Locations[edit]

  • Chicago: 5153 N. Ashland Avenue (The Neo-Futurarium)
  • New York: 85 E. 4th St., near 2nd Ave. (The Kraine)
  • San Francisco: 144 Taylor Street (PianoFight)
  • London: 2 Shepperton Road (Rosemary Branch Theatre)


  1. ^ World Commission on Environment and Development (1987). Our Common Future. Oxford: Oxford University Press. p. 27. ISBN 019282080X
  2. ^ Sobieski, Sonia (November 2008). "Looking to the Neo-Future: (Not) Just Another Day Like Any Other". The Brooklyn Rail.
  3. ^ "New York Times article, 'Finding the Drama in What Life Has Left Behind' by Corey Kilgannon" New York, accessed August 6, 2012
  4. ^ "New York Innovative Theater Awards Listing, '2011 Recipients'", accessed August 6, 2012
  5. ^ "Greg Allen pulls 'Too Much Light' from Chicago's Neo-Futurists". Time Out Chicago. Retrieved 2016-12-02.
  6. ^ a b "'Too Much Light' creator yanks show from Chicago Neo-Futurists". Chicago Sun-Times. Retrieved 2016-12-02.
  7. ^ Jones, Chris. "Longtime favorite 'Too Much Light Makes The Baby Go Blind' to end over dispute". Retrieved 2016-12-02.
  8. ^ "Former Artistic Director Doubts Politics Were Behind 'Too Much Light' Yank". DNAinfo Chicago. Archived from the original on 2016-12-03. Retrieved 2016-12-02.
  9. ^ "The Neo-Futurists Close 2017 with 10,000 Premieres and a Year-End Full of Events - Chicago News, Reviews, and Events".
  10. ^ Awl, Dave. "Stephen Colbert: Behind the Maniac, " Ocelopotamus (May 23rd, 2007 ).

External links[edit]